Workflaws
Side by side
Both versions next to each other, on the same frame. The most readable mode when a cut has changed pace or shots.
“Side by side” mode
The video player
A control room, not a player.
Compare two grades with a wipe, comment on a whole passage rather than a single frame, check a 9:16 crop before export, zoom into a detail with the loupe — the tools that are missing everywhere else.
app.workflaws.com
A/B comparison
See what moved between two versions.
Group two cuts as versions, click Compare: a single transport drives both, frame for frame. Three ways to set them against each other, depending on what you are after.
Wipe
Both versions stacked, with a sliding wipe revealing one under the other. Unbeatable for judging a grade or VFX work in the very same spot of the frame.
“Wipe” mode — draggable handleFlip
One image, alternating between A and B. The eye catches the slightest shift as a flicker — and the sound follows whichever version is showing, giving you an audible A/B too.
“Flip” mode — A ⇄ BLine up two different starts
When v2 doesn't begin on the same frame as v1, an offset control shifts version B by one second or by 40 ms — one frame at 25 fps. Version A stays the reference.
Choose what you hear
By default both soundtracks are muted — two mixes at once is unlistenable. You pick the audible version, or let the sound follow the flip.
Comments stay with their version
Every note remains attached to the cut it was left on. A filter shows A's markers, B's, or both — and playback can loop over just the compared stretch.
The comparison exists on the sound side too, with a seamless crossfade between two mixes: see audio comparison and blind listening.
Tools for the image
Look closer, say exactly where.
A useful note points at a precise spot. These four tools are there for that: to frame the remark in time, in the image, and in the delivery format.
Comment on a range, not an instant
Set an in point and an out point: the comment covers a whole duration rather than a single frame. “This passage runs long” finally points at the passage. The range shows on the transport bar, and a drawing that goes with it stays visible from start to end.
IN / OUT — the comment spans the rangeFrame guides
Overlay the broadcast safe areas — action and title — plus centred crop marks for 16:9, 1:1 and 9:16. Enough to check that a subtitle won't fall outside the frame, or that a shot will hold up vertically, before export.
safe areas · 16:9 · 1:1 · 9:16Zoom and loupe
Zoom into the image with the wheel, pan by dragging, snap back with one key. The loupe follows the cursor and magnifies whatever it passes over — to read burnt-in text or judge digital noise without leaving playback.
+ / − / 0 — the loupe follows the cursorSMPTE timecode, frame by frame
The timecode reads h:m:s:frame and can be typed into, to jump wherever you want. Arrow keys step one frame at a time, the in/out loop isolates a passage, and playback speed slows down to pick a movement apart.
00:01:24:12 · loop i / oDrawn annotations
Seven colours, undo and redo, playback pausing on its own the moment you pick up the pen. The stroke is saved and tied to its frame — and shared live during a review session.
z / y — undo / redoSubtitles and note export
Load several subtitle tracks to check them in context. And send every timestamped comment back to your edit: Premiere markers or CSV, with no retyping.
→ Premiere markers · CSV
Reviewing together
Everyone on the same frame, at the same moment.
This is the heart of Workflaws. Open a live review session: whoever joins sees exactly what you see. No more “go to 1:24” — they are already there.
Playback, position and drawing shared
During the session, playback, seeking and annotations are synchronised for everyone taking part. An indicator shows who is driving at any moment.
Join in one click
An open session makes the media glow green on your reviewers' home screen, and they get an email too. One click and they are with you; the same button leaves without closing the media.
Your clients need no account
A public link opens the media without signing up: the client watches and comments as a guest. Links stay revocable, and existing accounts keep their usual permissions.
Encoding quality
Resolution follows the plan.
Users are unlimited on all three plans: what changes is media space and playback resolution.
Micro
1080p video
Enough to judge a cut, a rhythm, an overall grade. 3 GB of media space.
Agence
High-bitrate 1080p
A more generous bitrate: flat areas and gradients hold up, and compression artefacts stop getting in the way of the judgement. 10 GB.
Professionnal
4K video
For signing off a fine grade or texture work at delivery resolution. 20 GB.
Full plan details on the pricing page. Need more storage ? Write to us.
Ready to try
Your first review workspace in minutes.
Pick a plan, your workspace is created automatically and your login details arrive by email.